Course Information
Course Overview
Sketching and Painting the art form called Female nude figure!
Learn to sketch and paint the enticing Female Nude form!
Drawing and painting a human figure has always been a difficult but gratifying challenge for artists of all levels. Nudes have been the subject of interest for ages.
Since centuries, artists have treated human body as a work of art by God Himself. Ancient sculptures and artworks from India to Europe have worshiped the nude form.
Understanding the nude is relevant in today's art as well, even for drawing clothed people!
In this course, we will learn:
1. Basic proportions, body types, bones and joints
2. Capturing the movement
3. Understanding the female face
4. Doing a finished sketch of a female nude - back
5. Doing finished sketches of female nude - front
6. Doing an oil painting of a female nude.
Course Content
- 5 section(s)
- 20 lecture(s)
- Section 1 Understanding the Female Anatomy
- Section 2 Drawing a Female Nude - Back
- Section 3 Drawing Female Nudes - Front
- Section 4 Painting a Female Nude using Oil / Acrylic Paints
- Section 5 Parting Thoughts
What You’ll Learn
- 1. Understand why the ability to draw / paint nudes is important in drawing / painting any human figure, nude or clothed., 2. Learn basic body proportions, types, bones and joints, 3. Quickly capture the movement and flow of human body and translate it into a sketch, 4. Understand the Female face, 5. Drawing a female nude study from back, 6. Drawing female nude studies from front, 7. Painting a complete female nude study using oils / acrylics
Skills covered in this course
Reviews
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SSheila Oliveira
excellent graphics and clear instructions
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LLisa Joseph
Thank you! This course was great at teaching the portions of a figure and the angles. I really enjoyed it and learnt enough to get me starting to be confident in nude figure painting. Thanks!
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DDimetris Nicolaides
good work
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WWilliam Meyer
This is a follow-along course. It is a great tool for shifting from learning to doing, from studying to painting. The use of a painting as a reference image startled me at first. But then I remembered the traditional practice of learning by painting 'copies' of the paintings of the masters. This course is best appreciated in light of its specific focus. It is not a be all to everybody. It works very well in its intended role. Well done!